The High Sparrow is a compelling character, but we know he's a diversion. The same can be said for the King's Landing plot, which has the High Sparrow and his religious cult take over the city. Watch this: How Game of Thrones language High Valyrian comes to life But we know Daenerys' destiny is in Westeros, so Essos monkey business feels inconsequential, particularly this late in the game. ![]() It's actually an above average Daenerys plot, thanks largely to the tense battle that leaves Grey Worm injured and Ser Barristan Selmy dead. Daenerys' exploits in Essos, as with most seasons, are a low point here with the Sons of the Harpy subplot. Tyrion ends up counseling Daenerys, but the road to getting there isn't particularly gratifying. It was more plodding plot than substantial storytelling. However, despite some highlights like the battle of Hardhome, it didn't truly capitalize on the momentum of the excellent fourth season. This season came in hot, as the prior one ended with Tyrion Lannister murdering his father, Tywin. Season 8's problems were significant, but it did enough right to remain deeply engaging TV.īest bits: The absurdly-good final 10 minutes of The Battle of Winterfell, Ser Brienne, Daenerys' death, Jaime and Tyrion say goodbye, Cleganebowl. How do you end sprawling, high-pedigree show like Game of Thrones? That's a tough task. Weiss and David Benioff's decision to curtail season 7 and 8 into shorter seasons necessitated the fast pace that hamstrung these stories. Jaime going back to Cersei despite Cersei sending Bronn to kill him and Daenerys' abrupt descent into the Mad Queen were both massive eyebrow raisers. Yet there were issues that were conspicuous to say the least.
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